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Kate Durbin claims the ambition of her recent performance piece, ‘Cloud Nine’, is to help, as she states in her broadcast, “draw attention to the financial difficulties of the lives of female artists.” She attempts this by crowdsourcing stories of “what [women] do for money,” removing the identifying details, and performing them in a simulcast commissioned by , Durbin states: “the cam girl aspect of the project means I am also playing with gender and the idea of the female fantasy ‘object’…
‘Cloud Nine’, by contrast, has only the veneer of inclusion, as crowdsourced experiences of sex work are anonymized and performed by a non-sex worker, thereby removing the workers from their own narratives.And while ‘ interviews depict the artist in specific states of semi-undress.There’s one in which she wears nude, see-through panties and a sequined shirt that reads “SEX”.There’s one in which she wears a shirt patterned with dollar bills and angel wings.In another she wears a bikini-top designed to emulate naked breasts while holding a dildo.” User “dreemcumtru” was removed from the chatroom by Durbin at after they criticized her motives.
To paraphrase an exchange between two users in chat, Durbin did not “read the room” as much as she “used the room”.
It should be noted that sex work is more common among marginalized demographics, and is arguably a facet of marginalization.
This is indicated by the fact that little to no research exists on the sex working population itself, and what statistics are most available deal with criminalization by race and class.
A sea-green wig and gauche makeup accompanies each outfit, which does carry over into the broadcasted performance.
Durbin’s setting is complete with a bare mattress, laptop, and the phrase “WHAT HAVE YOU DONE FOR MONEY” scrawled on a wall in the backdrop.
Coupled with the appropriation of “cloud9”, which that artist presents as a “common cam girl name,”’ it is clear that Durbin aestheticizes herself as the stereotype of a cam model.