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Audiences are good at figuring out which elements of a work are on which side of the Fourth Wall.
Suddenly the characters can hear the ominous background music or the disembodied narration, they can read the subtitles at the bottom of your screen, and they can tell when it's almost time for a commercial break.Generally, this awareness is brief; it's used for a joke or two and then never mentioned again.Used this way, it's Lampshade Hanging as applied to Paratext. Compare with other metafictional devices, particularly Painting the Medium, which uses Paratext and artifacts to tell the story, and Reading Ahead in the Script which is exactly what it sounds like.Left the Background Music On is a specific inversion.Fourth-Wall Observer is what happens when a particular character has this on full-time and the rest do not.Only dramatically he's gone down to the basement, you see.
'Course, there isn't really a basement, but he just goes off and we pretend.
Actually what happens is he just goes off there, off-camera, and just waits there so it looks as though he's gone down to the basement.
The ability to use old save data (or in rare cases, use of the physical game) from an old game in a new game (often a direct sequel, though unrelated examples aren't unheard of) for a bonus.
See also Genre Savvy (which doesn't involve the Fourth Wall) and No Fourth Wall.
See also End of Series Awareness and Screen Tap; specific subtropes. ' asked Tails, who had joined them by the ailing rabbit.
'Well normally, yes' Sonic agreed, 'but at the moment we're characters in a book.